Der geteilte Rand

Tsuneshige · Tsuba · Shinchu · Edo-Zeit · NBTHK Hozon

Taikobo Fishing, by Tsuneshige

Brass tsuba by Tsuneshige in a rounded square with a rim of shakudo and silver: an old man seated on rocks at the right holds a long fishing rod over a winding stream, with leafy branches above.

On this tsuba by Tsuneshige, an old man sits on the rocks at the right edge of the plate. He holds a long rod, and the line runs out over a stream that winds across the lower field. Branches with small leaves hang from the top. Touches of gold lie on his robe and on the rocks. The ground is brass with a fine, stone-like texture.

Das Objekt

The NBTHK describes a rounded square of brass with an ishime ground. The figure is carved in high relief from the plate and touched with color.

Then the rim. It is a fitted fukurin of two metals, shakudo on one side and silver on the other. The paper calls it kezuri-tsugi fukurin, a rim joined from separate pieces. Dark and pale meet along a single line, and the join holds without a gap. Two metals of different color and hardness close one circle.

Nothing in the scene asks for it. A sage waits by the water, and around him the rim is split between dark and light. The maker leaves the reason unspoken.

Die Szene

The paper names the figure Taikobo, the Chinese sage Jiang Ziya. The Walters Art Museum tells his story on another guard. Taikobo fished without bait, because he did not want to catch anything. A ruler out hunting found him at the river, was impressed, and asked him to serve as his counselor. Museum texts differ on which ruler it was, so this page leaves the name open.

Read that way, the rod here is not for fish. The old man is waiting, and the guard shows the moment before he is found.

Die signierte Seite

The back shows a tree trunk along the left edge, clusters of small leaves and a few touches of gold. Beside the central opening the guard is signed 常重, Tsuneshige.

The Metropolitan Museum of Art lists Kawamura Tsuneshige of the Nara school, active in the late eighteenth century. The Museum of Fine Arts, Boston, files guards under a Tsuneshige sub-school of the Nara line. The paper confirms the signature.

Eine Korrektur

An earlier version of this page gave the plate as shibuichi. The paper names brass.

The signed back: a tree trunk with clusters of small leaves on the left, touches of gold, and the signature Tsuneshige beside the central opening.

Tsuneshige’s Taikobo Tsuba

Tsuba. Signiert Tsuneshige. Shinchu, ishime-ji, sukidashi-takabori, iroe. Nade-kaku-gata, kezuri-tsugi fukurin in Shakudo und Silber. Taikobo-zu. Edo-Zeit. NBTHK Hozon. Privatsammlung, erworben in Europa.

In the collection

Type
Tosogu › Tsuba
School
Nara › Tsuneshige
Period
Edo-Zeit
Material
Shinchu
Motif
Mensch und Legende

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